Anatomy of a neck joint
- January 23rd, 2010
- Posted in Tech
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Bolt-on, set-neck or neck-thru? This question has been kicked around and debated for about as long as the electric guitar has existed. Each has benefits and drawbacks. Since i don’t favour one method of assembly over another, i will likely be using whichever method is most appropriate or suits my desire or needs at any particular time.
In these early stages of building, i’ve opted to go for a bolt-on design, for a few reasons. First, the bolt-on design gives maximum versatility. I’m building guitars with very different body and neck woods. They’ll all have the same scale length, bolt pattern and neck pocket, so they’ll be easily interchangeable, so i can experiment with how different neck woods and body woods interact. Second, if anything goes catastrophically wrong at any point in the build, i’ve only lost a body or a neck. With a set-neck or neck-thru, i’d have to trash the whole instrument. I’d rather not do that.
But i won’t be using just any old bolt-on design. The classic Fender “bolt-on” is actually mis-named. The necks are actually screwed on. Bolts are usually threaded to receive a nut. Most “bolt-on” necks just use big wood screws and a metal plate (or recessed metal grommets). Not a bad design, but its strength is limited by thin threads biting into wood. Repeated neck removals weaken the joint every single time.
Here’s how we’re building our bolt-on necks:
This mock-up shows the anatomy of a Decibel Guitars bolt-on neck joint. Threaded T-nuts are inserted underneath the fretboard. They are threaded to receive a connector bolt, and have a 3/4″ flange and steel prongs that secure it in the wood.
The body side of the joint uses a stainless steel washer and large-head connector bolt with a hex socket.
This makes for a much more stable neck joint than the wood screws used in traditional “bolt-on” neck joints. Some manufacturers have designed their neck joints so only two of these bolts are needed. Since we are aiming for a thin neck and neck heel, we’ll be using four to start, just for maximum stability. We may revise this later.
Here, you can see the stainless steel prongs on the T-nuts, which prevent the nut from spinning as the bolt is torqued. The large flange delivers tremendous downward pressure, maximizing contact between the mating wood surfaces of the neck joint.

darren, thats an amazing setup to be using. really makes alot of sense as far as a tight seal and tone transfering between the body and neck more..
i really wish i lived in Canada, be able to see these builds locally or learn from you and Brian..he must be a great teacher to boot with his amazing talent, cause your work is lookin great too!